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SELECTED WORK.

Brand systems, films and campaigns from the studio. Every project is built by a team assembled around the idea.

07Projects03Case studies05Cities

01 / Index

07 projects · newest first

Case study 07 — TYPE × Aladdin

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TYPE ×
ALADDIN.

Client
TYPE
Project
Street content series
Deliverables
Vertical reels · Graded stills
07.0 — The spot
07.1 — Reel 01
07.2 — Reel 02
07.3 — Reel 03
TYPE × Aladdin — vertical frame
07.4 — Frame
07.5 — Arrival
07.6 — The line
07.7 — Between takes
07.8 — 20% off
07.9 — Host
The idea

A street-level series for TYPE, shot on one foggy night at Aladdin CharBurger. Handheld and graded warm, so the neon, string lights and red-and-yellow fences carry the mood, with the TYPE mark kept small and the people up front.

Overview

Short-form vertical content and a set of stills from a TYPE × Aladdin pop-up night.

Approach
01Shoot the placeWide frames of the street, the counter and the patio set the scene before anyone talks.
02Stay with the peopleThe host, the crew and the crowd do the work. The camera stays close and moves with them.
03One warm gradeEvery reel and still shares the same warm, foggy grade, so the set reads as one series.
The system
  • Reels9:16 · 03 cuts
  • StillsGraded photography · 06 frames
  • MarkTYPE wordmark, lower third
  • LookNight fog · warm practicals
Next case study — 06The TYPE Podcast →

Case study 06 — The TYPE Podcast

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THE TYPE
PODCAST.

Client
TYPE
Project
Podcast identity design
Deliverables
Show logo · Episode artwork · YouTube thumbnails
06.0 — YouTube thumbnail
06.1 — Show logo
06.2 — Guest announcement
06.3 — Channel icon
The idea

The podcast takes the TYPE wordmark and gives it a softer setting: a grey-to-clay gradient, grainy duotone portraits and one orange highlight per layout. Guest announcements, thumbnails and the show logo all come from the same small kit, so every episode looks like part of the series.

Overview

A show identity that sits inside the TYPE brand but has a quieter, more personal voice of its own.

The brief

TYPE needed its podcast to feel unmistakably part of the brand, while being warm enough for long-form conversation. Every episode needs a thumbnail, a guest announcement and a channel presence, so the identity had to be quick to produce week after week.

The answer was a small kit rather than a set of one-off designs: a few fixed elements that combine into every format the show needs.

Approach
01Soften the wordmarkThe heavy TYPE wordmark stays, but moves onto a grey-to-clay gradient instead of full Signal Orange, so the show reads as calmer and more editorial.
02Treat every guest the same wayPortraits get a grainy duotone treatment, which makes photos from any source sit together and keeps the grid feeling like one series.
03One highlight per layoutEach piece gets a single orange accent: a word, a date or a frame. It points the eye to what matters and keeps the layouts uncluttered.
The system
  • Show logoStacked lockup on gradient
  • Guest announcementsPortrait · name · date
  • YouTube thumbnailsHeadline · portrait · mark
  • Channel iconSquare crop for platforms
  • PaletteGrey · clay · Signal Orange · ink
  • Image styleGrainy duotone portraits
Next case study — 05TYPE Identity →

Case study 05 — TYPE

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TYPE
IDENTITY.

Client
TYPE
Project
Brand identity & logo design
Deliverables
Wordmark · Colour system · Applications
05.0 — Primary wordmark
05.1 — On orange
05.2 — On ink
05.3 — On paper
05.4 — Pattern
Signal Orange#FF4D06
Sodium Yellow#F0C400
Ink#0A0A0A
Paper#FAF8F3
The idea

A heavy, blocky wordmark drawn with a thick keyline and a hard offset shadow, so it reads like a sticker or a sign. Two warm colours and black give it plenty of combinations to work with, from a single badge to a repeating pattern, at any size and on any background.

Overview

A heavy, blocky wordmark built to work like a sticker: loud, simple and recognisable at any size.

The brief

TYPE wanted a mark with real presence, something that could stand alone on merch, social and signage without needing supporting graphics around it.

The identity is deliberately reduced: one wordmark, two warm colours and black. The range comes from how those few pieces combine, not from adding more elements.

Approach
01Draw the wordmarkChunky, compressed letterforms with a thick keyline and a hard offset shadow, so the mark reads like a cut-out sticker or a painted sign.
02Build a tight paletteSignal Orange and Sodium Yellow carry the energy; Ink and Paper give it somewhere calm to sit. Every pairing has been checked for contrast.
03Turn it into a patternStacked and repeated in alternating colours, the wordmark becomes a texture for packaging, backgrounds and motion.
The system
  • Primary wordmarkKeyline + offset shadow
  • BackgroundsOrange · Ink · Paper
  • Signal Orange#FF4D06
  • Sodium Yellow#F0C400
  • Ink / Paper#0A0A0A / #FAF8F3
  • PatternStacked, alternating colour
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TYPE01
BNRY, Inc.02
Data Command03
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